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VERSION:2.0
PRODID:-//TYPO3/NONSGML Calendarize//EN
BEGIN:VEVENT
UID:calendarize-kuste-theatre-of-the-world-20260704
DTSTAMP:20260317T072004Z
DTSTART:20260704T190000Z
DTEND:20260704T202000Z
SUMMARY:kuste | THEATER DER WELT
DESCRIPTION:Duration: 1 h 20 minInformation: Without spoken word\nA river 
 divides the landscape. A railway line cuts through mountains. Something in
 sists on passing through\, even in the face of resistance. In the Ainu lan
 guage of the indigenous people of northern Japan\, kuste means ‘to let s
 omething pass through a place’. This is precisely what this sensory thea
 tre piece achieves. The stage is filled with a silent world of images. The
  atmosphere simply invites you to marvel and observe. The audience encount
 ers the history\, lives\, and living presence of the Ainu\, whose history 
 is deeply intertwined with modern infrastructure projects that opened up t
 he land while displacing Indigenous ways of life. The performance focusses
  on research about Kaneto Kawamura\, the grandfather of the performers ons
 tage\, Mayunkiki and Rekpo. A leader of the Ainu community in Asahikawa an
 d a surveying engineer for the Japanese National Railways. He oversaw the 
 construction of one of the most difficult railway projects of his time: th
 e Sanshin Railway\, built through the steep gorges of the Tenryu River\, a
  fast-flowing river that runs from Nagano through the Oku-Mikawa region of
  Aichi before reaching the Enshu Sea in Shizuoka. In kuste\, this railway 
 construction appears as an encroachment on land\, culture\, and memory –
  not as progress.
X-ALT-DESC;FMTTYPE=text/html:<p><strong>Duration: </strong>1 h 20 min<br /
 ><strong>Information: </strong>Without spoken word</p>\n<p>A river divides
  the landscape. A railway line cuts through mountains. Something insists o
 n passing through\, even in the face of resistance. In the Ainu language o
 f the indigenous people of northern Japan\, <i>kuste</i> means ‘to let s
 omething pass through a place’. This is precisely what this sensory thea
 tre piece achieves. The stage is filled with a silent world of images. The
  atmosphere simply invites you to marvel and observe. The audience encount
 ers the history\, lives\, and living presence of the Ainu\, whose history 
 is deeply intertwined with modern infrastructure projects that opened up t
 he land while displacing Indigenous ways of life. The performance focusses
  on research about Kaneto Kawamura\, the grandfather of the performers ons
 tage\, Mayunkiki and Rekpo. A leader of the Ainu community in Asahikawa an
 d a surveying engineer for the Japanese National Railways. He oversaw the 
 construction of one of the most difficult railway projects of his time: th
 e Sanshin Railway\, built through the steep gorges of the Tenryu River\, a
  fast-flowing river that runs from Nagano through the Oku-Mikawa region of
  Aichi before reaching the Enshu Sea in Shizuoka. In <i>kuste</i>\, this r
 ailway construction appears as an encroachment on land\, culture\, and mem
 ory – not as progress.</p>
LOCATION:Spinnbau - Hall 5
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